George Moore
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Esther Waters (1894) is a novel by George Moore. Considered his best novel, it was an immediate critical and commercial success, and has since been adapted several times for theater, film, and television. Like much of Moore's work, Esther Waters shows the influence of French naturalist writer Émile Zola, who sought to portray the influence of heredity and social environment on the lives of characters without shying away from poverty, sex, disease,...
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Confessions of a Young Man (1888) is a memoir by George Moore. Originally written in French, it is a record of his life in Paris as a young man with money and dreams to spare. Controversial for its depictions of bohemianism and pointed critique of Victorian morality, Confessions of a Young Man has been recognized as an invaluable portrait of nineteenth century Paris and the geniuses who struggled to reshape art in their image. Degas. Renoir. Monet....
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Published in 1893, Modern Painting is considered among the first serious attempts to introduce the art of the Impressionists to an English audience. Drawn from articles Moore had written for newspapers and magazines, the book did much to influence the critical reception of this "new" style of painting. He discusses artists Edouard Manet, Alfred Sisley, Claude Monet, Camille Pissarro, and Philip Wilson Steer-and includes chapters written on topics...
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It was at the end of a summer evening, long after his usual bedtime, that Joseph, sitting on his grandmother's knee, heard her tell that Kish having lost his asses sent Saul, his son, to seek them in the land of the Benjamites and the land of Shalisha, whither they might have strayed. But they were not in these lands, Son, she continued, nor in Zulp, whither Saul went afterwards, and being then tired out with looking for them he said to the servant:...
5) Spring Days
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It was one of those enticing days at the beginning of May when white clouds are drawn about the earth like curtains. The lake lay like a mirror that somebody had breathed upon, the brown islands showing through the mist faintly, with gray shadows falling into the water, blurred at the edges. The ducks were talking in the reeds, the reeds themselves were talking, and the water lapping softly about the smooth limestone shingle. But there was an impulse...
6) The Lake
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Tells of an Irish priest's loss not of faith, but of commitment to the principles fostered in him during his training. It describes his discovery of a more fulfilling religion that celebrates instinct as being man's true mode of communion with his soul, and is also about the satisfactions of living close to nature in Ireland. The atmosphere of the Mayo countryside and the rich historical associations in every church, castle, or abbey, ruin and farmstead,...
7) Muslin
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The convent was situated on a hilltop, and through the green garden the white dresses of the schoolgirls fluttered like the snowy plumage of a hundred doves. Obeying a sudden impulse, a flock of little ones would race through a deluge of leaf-entangled rays towards a pet companion standing at the end of a gravel-walk examining the flower she has just picked, the sunlight glancing along her little white legs proudly and charmingly advanced. The elder...
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Originally published in 1903, The Untilled Field proved to be one of Moore's works that pleased Moore best for its affectionate portraits of Irish rural life. Though modeled initially on Turgenev's Tales of a Sportsman, the stories soon became original inspirations woven out of Moore's memories of the peasants who lived and worked on his family estate in Mayo. It is one of the richest and most perfectly written of his works. This new printing of the...
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Your outlook on life is so different from mine that I can hardly imagine you being built of the same stuff as myself. Yet I venture to put my difficulty before you. It is, of course, no question of mental grasp or capacity or artistic endowment. I am, so far as these are concerned, merely the man in the street, the averagely endowed and the ordinarily educated. I call myself a Puritan and a Christian. I run continually against walls of convention,...
10) A Mummer's Wife
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This 1884 novel examines the life of a woman seduced away from her invalid husband by a member of an operetta troupe. Moore's unwavering account of the protagonist's descent into alcoholism-causing her to do unthinkable things-was too brutal, however, for readers of the time. One critic wrote, "A more repulsive story was probably never written." It stands today as one of the first major English-language novels in the realist tradition.
11) Vain Fortune
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He was the son of the Rev. James Price, a Shropshire clergyman. The family was of Welsh extraction, but in Hubert none of the physical characteristics of the Celt appeared. He might have been selected as a typical Anglo-Saxon. The face was long and pale, and he wore a short reddish beard; the eyes were light blue, verging on grey, and they seemed to speak a quiet, steadfast soul. Hubert had always been his mother's favourite, and the scorn of his...
12) Celibates
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In this haunting volume of three novella-length stories, Moore explores three characters, each drawn into a life of celibacy. The book features Mildred Lawson, the pretty but selfish woman who is plagued by the worry that her husband married her for money alone; John Norton, a would-be monk who finds his only passion in religious fanaticism; and Agnes Lahens, a timid woman who enters the convent as a means of self-protection.
13) Evelyn Innes
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Evelyn Innes is a love story, the first written in English for three hundred years, and the only one we have in prose narrative. For this assertion not to seem ridiculous it must be remembered that a love story is not one in which love is used as an ingredient; if that were so nearly all novels would be love stories; even Scott's historical novels could not be excluded. In the true love story love is the exclusive theme; and perhaps the reason why...
14) A Mere Accident
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Three hundred yards of smooth, broad, white road leading from Henfield, a small town in Sussex. The grasses are lush, and the hedges are tall and luxuriant. Restless boys scramble to and fro, quiet nursemaids loiter, and a vagrant has sat down to rest though the bank is dripping with autumn rain. How fair a prospect of southern England! Land of exquisite homeliness and order; land of town that is country, of country that is town; land of a hundred...
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This 1900 comedy was part of the Irish Literary Revival movement. It was produced by the Irish Literary Theater in Dublin. The play features a commercial-and romantic-rivalry between the towns of Northhaven and Southhaven: allegorical names for Ireland and England, with Northhaven feeling deceived by the powerful Southhaven.
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This 1917 novel tells the tale of a handsome, struggling artist who carelessly manipulates women for his own advantage-including Lady Helen Seely, the rich and beautiful aristocrat whom he seduces and marries. The novel is a rewriting of Moore's first novel, A Modern Lover, which was banned from circulating libraries due to its explicit descriptions of the protagonist's blatant use of women.
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Published in 1891, this volume is a gathering of Moore's previously published articles, largely revised or rewritten for the book's publication. Moore offers incisive commentary and insights on such artists as Balzac, Verlaine, Rimbaud, and Degas, and proves to be a formidable art critic in a collection that the New York Times lauded as "fascinating."
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In this collection of stories published in 1922, Moore returns to the theme of sexual repression he explored in The Celibates. In each chapter of the book, Moore examines a different character wrestling with sexuality in one way or another. Moore gives the greatest attention to the story of Hugh Monfert-a man who struggles for years to discern his sexuality.
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Moore wrote ten plays, a number of them in connection with his involvement with the Irish Literary Theatre. Elizabeth Cooper was first performed in the Haymarket Theatre in London in 1913. That same year, Moore also adapted his groundbreaking novel Esther Waters as a play. Moore, who was notorious for constantly revising and republishing his work, rewrote Elizabeth Cooper as The Coming of Gabrielle in 1921.
20) Sister Teresa
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She will not run into debt; and she's quite right; so we have to manage with what we've got in the convent. Of course there are some vegetables and some flour in the house; but we can't go on like this for long. We don't mind so much for ourselves, but we are so anxious about Mother Prioress; you know how weak her heart is, and all this anxiety may kill her. Then there are the invalid sisters, who ought to have fresh meat.